Nathalie Anguezomo Mba Bikoro
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  • Actions on Future Cultural Narratives & PostColonial Cannibalism
  • Alice In Wonderland for the 22nd century
    • The Brick Moon | The Book
    • Les Inconnues | A Performance in Writing
    • The Dictator
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  • Film Essays Towards Decoloniality
  • Future Monuments; Re-Inventing the Human Memorial
    • Forbidden Histories Score I
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    • Taming Ghosts; On Post-Colonial Cannibalism
    • Fall of Faust | Freedom Bodies
    • UFO's in St Louis | The Future of Cinema
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Printing studios from the artist | London | France | Berlin

In the making..                                                                     | The Studio | London | Berlin | Bitam (Gabon)


It is in front of the trees that Alice loses her name. Alice's climb to the surface, her disavowal of false depth and her discovery that everything happens at the border. She releases her incorporeal double. It is by following the border that one passes from bodies to the incorporeal. One passes to the other side. The continuity of these events bring to language becoming and its paradoxes. Alice still seeks the secret of events and of the becoming unlimited, in the depths of the earth in dug out shafts and holes, in dreams and nightmare, plunging in a mixture of bodies which coexist. The animals become secondary giving way to figures which have no thickness. The animals' skin has spread out and become figure or libidinal (economy). The becoming unlimited is maintained entirely within the inverted libidinal.
after Gilles Deleuze and Lyotard

Residency at Fondation Blachere France / photos by Lucie Rochette

Picture
Picture
Maniere Noire Gallery | Berlin

in the making at La Taller Gallery in Bilbao, special edition for "Take This Hammer" exhibition at Kalao Panafrican Gallery, Spain May 2014

New Titles

Fall of Faust
The Brick Moon
The Tower of Babel
The Conference

coming soon..